DC in Ed Zwick's DEFIANCE
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Will Smith Seeks Redemption; Craig Fights Nazis: Hollywood Buzz
‘Defiance’
“Defiance,” the World War II drama starring Daniel Craig as the leader of Jewish guerilla fighters in Eastern Europe, began with an obituary.
Screenwriter Clayton Frohman learned of the Bielski partisans by reading about the death of one of the leaders, Zus Bielski, in a newspaper in 1995. It was the start of a 13-year effort to bring their story to the screen.
Craig, who has played James Bond in the last two 007 movies, stars as one of the three Bielski brothers who fled from Poland to the forests of Belarus when German soldiers began rounding up Jews in their village. (The other brothers are played by Liev Schreiber and Jamie Bell of “Billy Elliot”.) Over time, they formed a group of fighters to protect 1,200 Jews who hid in the region’s forests.
Frohman and director/co-writer Edward Zwick pitched the story to major studios for more than a decade without success. In 2006, with Craig’s support, Zwick convinced Grosvenor Park Productions, Pistachio Pictures and Bedford Falls Co. to back the project.
Frohman said the film, which comes out Dec. 31 in New York and Los Angeles before a wider release in January, helped him reconnect with his Jewish heritage.
“I’m not an observant person, but I feel a deeper sense of Judaism now than I ever did,” Frohman said. “It is a faith that’s always been under fire. They’ve always been persecuted. I felt as if it was a gift that somehow I found this story.”
Source
‘Defiance’
“Defiance,” the World War II drama starring Daniel Craig as the leader of Jewish guerilla fighters in Eastern Europe, began with an obituary.
Screenwriter Clayton Frohman learned of the Bielski partisans by reading about the death of one of the leaders, Zus Bielski, in a newspaper in 1995. It was the start of a 13-year effort to bring their story to the screen.
Craig, who has played James Bond in the last two 007 movies, stars as one of the three Bielski brothers who fled from Poland to the forests of Belarus when German soldiers began rounding up Jews in their village. (The other brothers are played by Liev Schreiber and Jamie Bell of “Billy Elliot”.) Over time, they formed a group of fighters to protect 1,200 Jews who hid in the region’s forests.
Frohman and director/co-writer Edward Zwick pitched the story to major studios for more than a decade without success. In 2006, with Craig’s support, Zwick convinced Grosvenor Park Productions, Pistachio Pictures and Bedford Falls Co. to back the project.
Frohman said the film, which comes out Dec. 31 in New York and Los Angeles before a wider release in January, helped him reconnect with his Jewish heritage.
“I’m not an observant person, but I feel a deeper sense of Judaism now than I ever did,” Frohman said. “It is a faith that’s always been under fire. They’ve always been persecuted. I felt as if it was a gift that somehow I found this story.”
Source
David Denby: Ten Best Movies of 2008
Some six hundred and fifty movies opened in New York this year, a staggering number that will be reduced in upcoming years by an absence of cash in the big hedge funds (not to mention the bank accounts of young filmmakers’ uncles). Many of the year’s crop were small movies, with moments of intensity, a few scenes that quivered into life. In this list, however, I’ve stuck to the mainstream, on the grounds that artists working for a large audience need support, too. Regretfully, I omit “Don’t Mess With the Zohan” and other masterpieces of the bodily-fluids school of cinema.
“Defiance”: An inspirational story, told with a maximum of physical detail and a minimum of rhetoric, about the three Bielski brothers (including Daniel Craig), who kept twelve hundred Jews alive in the forest during the Nazi occupation of Byelorussia.
“Rachel Getting Married”: Excruciating to get into, but, once you become accustomed to Anne Hathaway’s high-wire performance and the jiggling camera style, very rewarding.
“The Class”: a smart, cocky teacher in multi-ethnic Paris takes on a class of turbulent ninth-graders, who then come back at him hard. Essential.
“The Wrestler”: Blood, suffering, and nobility at the lowest rungs of professional wrestling, starring Mickey Rourke.
“Vicky Cristina Barcelona”: Woody Allen’s take on American girls living abroad in complicated Old Europe; sunshiny, art-loving, melancholy.
“Wall-E”: Apocalyptic dismay and social satire mixed into one; Pixar’s most ambitious animated film yet.
“Milk”: Buoyant biopic with Sean Penn’s body- and soul-transforming performance as the gay-rights leader Harvey Milk in seventies San Francisco.
“Trouble The Water”: An African-American woman remains in her New Orleans house during Katrina with a portable video camera; first chaos, and then reassertion of personal will.
“Revolutionary Road”: The ultimate suburban-despair-in-the-fifties movie, from the Richard Yates novel, with Leonardo Di Caprio and Kate Winslet fighting at full tilt.
“I’ve Loved You So Long”: Not a great film, but a great performance from Kristin Scott-Thomas as a woman who has committed a terrible crime and then returns to French bourgeois society.
http://www.newyorker.com/online/blogs/t ... ies-o.html
Some six hundred and fifty movies opened in New York this year, a staggering number that will be reduced in upcoming years by an absence of cash in the big hedge funds (not to mention the bank accounts of young filmmakers’ uncles). Many of the year’s crop were small movies, with moments of intensity, a few scenes that quivered into life. In this list, however, I’ve stuck to the mainstream, on the grounds that artists working for a large audience need support, too. Regretfully, I omit “Don’t Mess With the Zohan” and other masterpieces of the bodily-fluids school of cinema.
“Defiance”: An inspirational story, told with a maximum of physical detail and a minimum of rhetoric, about the three Bielski brothers (including Daniel Craig), who kept twelve hundred Jews alive in the forest during the Nazi occupation of Byelorussia.
“Rachel Getting Married”: Excruciating to get into, but, once you become accustomed to Anne Hathaway’s high-wire performance and the jiggling camera style, very rewarding.
“The Class”: a smart, cocky teacher in multi-ethnic Paris takes on a class of turbulent ninth-graders, who then come back at him hard. Essential.
“The Wrestler”: Blood, suffering, and nobility at the lowest rungs of professional wrestling, starring Mickey Rourke.
“Vicky Cristina Barcelona”: Woody Allen’s take on American girls living abroad in complicated Old Europe; sunshiny, art-loving, melancholy.
“Wall-E”: Apocalyptic dismay and social satire mixed into one; Pixar’s most ambitious animated film yet.
“Milk”: Buoyant biopic with Sean Penn’s body- and soul-transforming performance as the gay-rights leader Harvey Milk in seventies San Francisco.
“Trouble The Water”: An African-American woman remains in her New Orleans house during Katrina with a portable video camera; first chaos, and then reassertion of personal will.
“Revolutionary Road”: The ultimate suburban-despair-in-the-fifties movie, from the Richard Yates novel, with Leonardo Di Caprio and Kate Winslet fighting at full tilt.
“I’ve Loved You So Long”: Not a great film, but a great performance from Kristin Scott-Thomas as a woman who has committed a terrible crime and then returns to French bourgeois society.
http://www.newyorker.com/online/blogs/t ... ies-o.html
Defiance: An Excerpt
Some colleagues and I were lucky enough to be invited to an advance screening of the new film starring Daniel Craig, Liev Schrieber, and Jamie Bell, Defiance. In 1942 a small group of Jewish resistance fighters established a community deep in the forests of western Belorussia, offering protection to all Jewish fugitives who could find their way to them. Within two years they numbered more than 1200 - it was the largest armed rescue operation of Jews by Jews in perhaps any war in history.
Their leader, the charismatic Tuvia Bielski (played by Daniel Craig) told his story to author Nechama Tec two weeks before he died in 1987, and she went on to write the book (published by OUP) on which the new film is based: Defiance - The True Story of the Bielski Partisans.
The film itself didn’t disappoint. As well as all the action you would expect from a war movie, there was also the human story of the hundreds of fugitives that were rescued, as well as the story of the Bielski brothers themselves. I’m not ashamed to admit that I shed a few tears in that cinema! Below is an extract from the book.
The rest of the article is spoilerish, to read it, click here
Some colleagues and I were lucky enough to be invited to an advance screening of the new film starring Daniel Craig, Liev Schrieber, and Jamie Bell, Defiance. In 1942 a small group of Jewish resistance fighters established a community deep in the forests of western Belorussia, offering protection to all Jewish fugitives who could find their way to them. Within two years they numbered more than 1200 - it was the largest armed rescue operation of Jews by Jews in perhaps any war in history.
Their leader, the charismatic Tuvia Bielski (played by Daniel Craig) told his story to author Nechama Tec two weeks before he died in 1987, and she went on to write the book (published by OUP) on which the new film is based: Defiance - The True Story of the Bielski Partisans.
The film itself didn’t disappoint. As well as all the action you would expect from a war movie, there was also the human story of the hundreds of fugitives that were rescued, as well as the story of the Bielski brothers themselves. I’m not ashamed to admit that I shed a few tears in that cinema! Below is an extract from the book.
The rest of the article is spoilerish, to read it, click here
and another excellent review :
Defiance is Not Just Another Holocaust Movie: Jews Can Be Tough Guys, Too
Defiance starts off in a manner that makes you feel you've seen it before. Another film about the oppression of Jews by the Germans during World War II, this time using Belarussia (now Belarus) as the backdrop.
It opens with grainy black and white footage of slaughters taking place and two men watching from a hiding place before they run for further cover. The two men are brothers Zus and Asael Bielski, played by Liev Schreiber and Jamie Bell, the latter quite a bit more grown up than when he first came on the scene eight years ago as Billy Elliot. Asael is barely out of his teens -- if that -- and his emotions take hold of him when the two return to their little farm and see that their parents have been slain. In a moment of relief, they find their younger brother Aron, played by George MacKay, hiding in a secret cellar and the three take off into the woods.
They're soon joined by their eldest brother Tuvia, portrayed by Daniel Craig in a characterization as far removed from James Bond as can be imagined. Not much later other Jews hiding in the forest emerge until a whole community is formed, creating enormous infrastructure problems not the least of which is how to feed them.
In the interim, there is tension among the brothers, mostly between the two oldest about how to deal with their situation. Zus is more aggressive and eventually joins the Russian Partisans, while Tuvia, more controlled and purposeful, stays behind to tend to the burgeoning flock.
And so it goes with guerrilla tactics employed with bloody force against hundreds of Nazi soldiers. Also killed are local collaborators, who'd just as soon sell out their former neighbors to get the relatively high bounty the Germans pay to corral the Jews. There are rivalries and factions and plenty of sexual tension with some of the prettier women. There's even a wedding, complete with a makeshift Chuppah and the stomping of the wineglass to celebrate the new love between Asael and his new bride, Chaya, played with sensitive strength by Mia Wasikowska.
It's a story of survival that's headed for disaster, because where can our heroes really run? The forest is only so large, and won't the big, bad Germans figure out there's a contingent of enemies finishing off their brethren every time they venture down one of the bucolic roads?
It's heartening to see Jews portrayed less as victims and as fierce fighting men and women determined not to march to their oblivion. This is not a Ghetto round up by any means. No one marches them onto cattle cars, and they are certainly not in the mood to be sent off to the death camps they have heard about but don't know for sure if they actually exist.
On the other hand, for every story such as Exodus wherein the State of Israel was created thanks to combative military tactics led by the heroic Ari Ben Canaan, there is always the legend of Masada and its equally brave participants who experienced much graver consequences.
Directed by Edward Zwick from a script by Clayton Frohman and Zwick, the film is based on a true story detailed in the book Defiance: The Bielski Partisans by Nechama Tec. It is extraordinarily moving in ways that surprise us and reassure us even as some of our favorites are slain and we wonder whether everything they're doing is all for naught.
It's also about family and how sibling rivalry injects itself into truly horrendous situations and settings such as these. It's about hope and social caste systems, about snobbery and infighting even among the Jews. Yes, there are bad Jews, just as there are bad anti-Semitic Russian partisans, and weak Jews who are ready to give up. In short, it's a microcosm of our life on the planet and it's refreshing to see that all the players are not black and white, that all the so-called good guys are not terrific.
A bit over two hours in length, it's a little drawn-out and sometimes predictable, but the filmmakers have nonetheless produced a generally gripping and strongly emotional film without making it overwrought. The acting is intense at times but delicately played, in particular by Craig and Bell, though Schreiber in a more predictable role is no less convincing.
Defiance doesn't break new ground, but it's another piece of the traumatic puzzle about a family caught in the Holocaust maelstrom. Stories like these are rarely without merit and they deserve intelligent and well-made productions such as this one to keep on reminding the world -- never again!
Source
Defiance is Not Just Another Holocaust Movie: Jews Can Be Tough Guys, Too
Defiance starts off in a manner that makes you feel you've seen it before. Another film about the oppression of Jews by the Germans during World War II, this time using Belarussia (now Belarus) as the backdrop.
It opens with grainy black and white footage of slaughters taking place and two men watching from a hiding place before they run for further cover. The two men are brothers Zus and Asael Bielski, played by Liev Schreiber and Jamie Bell, the latter quite a bit more grown up than when he first came on the scene eight years ago as Billy Elliot. Asael is barely out of his teens -- if that -- and his emotions take hold of him when the two return to their little farm and see that their parents have been slain. In a moment of relief, they find their younger brother Aron, played by George MacKay, hiding in a secret cellar and the three take off into the woods.
They're soon joined by their eldest brother Tuvia, portrayed by Daniel Craig in a characterization as far removed from James Bond as can be imagined. Not much later other Jews hiding in the forest emerge until a whole community is formed, creating enormous infrastructure problems not the least of which is how to feed them.
In the interim, there is tension among the brothers, mostly between the two oldest about how to deal with their situation. Zus is more aggressive and eventually joins the Russian Partisans, while Tuvia, more controlled and purposeful, stays behind to tend to the burgeoning flock.
And so it goes with guerrilla tactics employed with bloody force against hundreds of Nazi soldiers. Also killed are local collaborators, who'd just as soon sell out their former neighbors to get the relatively high bounty the Germans pay to corral the Jews. There are rivalries and factions and plenty of sexual tension with some of the prettier women. There's even a wedding, complete with a makeshift Chuppah and the stomping of the wineglass to celebrate the new love between Asael and his new bride, Chaya, played with sensitive strength by Mia Wasikowska.
It's a story of survival that's headed for disaster, because where can our heroes really run? The forest is only so large, and won't the big, bad Germans figure out there's a contingent of enemies finishing off their brethren every time they venture down one of the bucolic roads?
It's heartening to see Jews portrayed less as victims and as fierce fighting men and women determined not to march to their oblivion. This is not a Ghetto round up by any means. No one marches them onto cattle cars, and they are certainly not in the mood to be sent off to the death camps they have heard about but don't know for sure if they actually exist.
On the other hand, for every story such as Exodus wherein the State of Israel was created thanks to combative military tactics led by the heroic Ari Ben Canaan, there is always the legend of Masada and its equally brave participants who experienced much graver consequences.
Directed by Edward Zwick from a script by Clayton Frohman and Zwick, the film is based on a true story detailed in the book Defiance: The Bielski Partisans by Nechama Tec. It is extraordinarily moving in ways that surprise us and reassure us even as some of our favorites are slain and we wonder whether everything they're doing is all for naught.
It's also about family and how sibling rivalry injects itself into truly horrendous situations and settings such as these. It's about hope and social caste systems, about snobbery and infighting even among the Jews. Yes, there are bad Jews, just as there are bad anti-Semitic Russian partisans, and weak Jews who are ready to give up. In short, it's a microcosm of our life on the planet and it's refreshing to see that all the players are not black and white, that all the so-called good guys are not terrific.
A bit over two hours in length, it's a little drawn-out and sometimes predictable, but the filmmakers have nonetheless produced a generally gripping and strongly emotional film without making it overwrought. The acting is intense at times but delicately played, in particular by Craig and Bell, though Schreiber in a more predictable role is no less convincing.
Defiance doesn't break new ground, but it's another piece of the traumatic puzzle about a family caught in the Holocaust maelstrom. Stories like these are rarely without merit and they deserve intelligent and well-made productions such as this one to keep on reminding the world -- never again!
Source
Interview: Daniel Craig for "Defiance"
British heartthrob Daniel Craig may now be known as 007, but he is as accomplished an actor on stage or screen as exists in Britain.
Following on the heels of the critically mixed "Quantum of Solace", Craig returns to the screen in "Defiance", the true story of three Jewish brothers who escape from Nazi-occupied Poland into the Belarussian forest, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and others in danger.
In this interview, Craig talks about the film, its issues, relevance to contemporary audiences and his reaction to the reception of the latest Bond film. He talked to Paul Fischer:
Question: You've played a Mossad agent and now this role. Does that give you some insight into the Jewish experience and are you converting?
Craig: No. No, I'm not. Does it give me an insight into the Jewish experience? I suppose that it does, but religion was not a factor in taking this job. It was just literally one of those situations that I sort of looked at, read it and thought that it was an amazing story.
Question: Was it the story or the character?
Craig: Both. I mean, the character is in just a dreadful, dreadful, dreadful situation. There's no going away from it. God forbid any of us should be put into that situation, but something is asked of him and he's very reluctant to do it and I love the fact that they're sort of saying, 'No, you must do this.' He's going, 'No. Fuck off. I mean, I want to protect my brothers and I want to look after what's left of my family and I want to run away.' And they were saying, 'But you don't have a choice here.' I think that process and obviously we condense it in the film and this is over a three or four year period, we condense the whole thing in the film but it's incredible.
Question: Did you have a period of self-analysis once you saw the story and thought about how you would've handled the situation?
Craig: Completely. I think that hopefully is one of the questions that people ask themselves when they're coming out of the film, but I don't know.
Question: How you would've reacted?
Craig: I mean, it's unimaginable what those people went through. Obviously you'd like to think that you'd do the right thing.
Question: Does physical geography help you define the way you play a character like this, the fact that you working in that environment in the forest in that weather? According to various sources the trailers were a half mile away.
Craig: It was a quarter mile yesterday and it's gotten up to several miles today. It'll be sixteen miles away by the end of the day. We didn't have a trailer. We had a bucket and a tarpaulin and I was happy with it. Yes, of course it does. It has a huge influence on what you're doing and it did have an influence on us, the fact that we all decided that we'd rather not spend time in our trailers, that we'd rather spend the time on set. I think that's key to a lot of what went on there on the set. It was cold. It was miserable. It was wet. It was uncomfortable, but you always have in the back of your mind the idea that you have a bed to go back home to that night and that there is some hot food somewhere within the forest. You're prepared to go looking for it at some point. These people did three winters there and that's just mind blowing.
Question: People have said that they were surprised that such a big movie star like you didn't go back to your trailer. You don't strike me as being a big movie star type person.
Craig: I don't strike you as being a big movie star? Thanks. [laughs] This is going well. I don't spend much time in my trailer anyway even if it's huge and it never is. The last place that I want to be is in a smelly caravan. I mean, I'd rather be on set trying to get some work done.
Question: Did you read the Beilski story and meet their family? What did you do when you met them?
Craig: We did, yes. We sat and we drank and we talked and we had a conversation and we didn't talk much about Tuvia, but we sort of talked about…I just wanted to get a feel for them really. They were just sort of incredibly forward people, really energetic and really full of life and a proper family. They're like families are, sitting there and shouting at each other. Why whisper when you can scream. They're kind of like all families are and they're full of life. I mean, both Liev and I said, 'These guys are kind of scary guys.' They were like, 'Hey! Come on!' I can imagine that that's how their parents were, their father was.
Question: It seems there was more brutality in the real brothers’ experience than was in the movie. Was it out of respect for the family that that wasn't shown?
Craig: It's not at all that, I think. I think we tried to be as straight as possible. The events that take place in the movie happened. They happened in different ways. They happened in different contexts, but they actually kind of all occurred. This film takes over a year to happen roughly speaking and we've condensed a huge amount into that period, but we haven't shied away from anything. It's known and it's fact that they had to survive and in order to survive they had to do bad things. It's documented and it's there.
Question: Tuvia had to do the martial law thing when his leadership was threatened. Can you talk about finding that part of the character, him being very tough on those people?
Craig: He was. Again, it was clear if you read about it that there were power struggles and there were very serious power struggles. You can judge it if you like. One could judge it and ask if it's just because he wanted to remain in power or if he was just trying to keep it together. It's probably a little bit of both. It was just a completely extreme situation, and again, the question that you ask yourself is what would I do. Would I for the greater good of the group take this person out and quell this dissension aggressively and violently or do I leave it alone and allow the whole thing to just sort of disintegrate.
Question: How physically demanding was this film given that you like to do all your own stunts?
Craig: I mean, obviously there aren't the same amount of stunts as in the 'Bond' film, but it was physically demanding because we were literally filming on slopes like this in wet, cold weather all day long. We had a crew of grips that were running around with track and putting them at all sorts of angles. I mean, we were all physically running and up and down these hills day.
Question: You're going after tanks and stuff in the film too though.
Craig: It was lying down, shooting at them. I wasn't really going after them. That was Liev. He did that.
Question: The reaction to this latest 'Bond' film was very different than the reaction to 'Casino Royale'. Did that surprise you?
Craig: No, because 'Casino Royale' was based on a novel and we're always going to have that. When you do a movie like that where the basis of a story is really strong and also the momentum of it, everyone thought that it was going to be shit. So when it wasn't they were all just completely surprised. I think that 'Quantum of Solace' is as good a movie as 'Casino Royale'. I think that the difference is that last time people were surprised by the fact that they enjoyed it. The fact is that we get reviews in newspapers that we'd never had reviews in before. Certainly with the internet we get seven and a half million reviews which are all worth looking at obviously.
Question: The financial success of the film though must suggest that people really respond to you as Bond.
Craig: I don't try to intellectualize that. I do know what we've done is make a movie that the first time I saw it I got a huge kick out of it. Ultimately that's what we're trying to do at the end of the day, putting a movie out that's an entertaining, exciting, hopefully slightly moving 'Bond' movie. That's all our goal ever was. The way that people have taken to it is just amazing.
Question: Do you think that calls for the next one come a little quicker after this opening weekend?
Craig: I haven't heard anything, but then I'm not answering my phone.
Question: What more do you want to do with Bond, what other parts of him would you like to explore?
Craig: Well, I genuinely think we've got a blank page now. We've finished this story off. 'Quantum of Solace' was exactly the right thing to do. We started something with 'Casino Royale' and we wrapped it all up with 'Quantum of Solace'. We're ready to begin again and we can do what we want.
Question: So you think that it'll be a throw back?
Craig: Submarine space and outer space.
Question: Are you still looking at Ian Fleming story elements because that worked so well in 'Casino Royale'?
Craig: Yeah, but there's nothing left. It's all done unless someone finds a dirty manuscript under the couch, we're stuffed.
Question: What about the Gardner books?
Craig: I've never read them. I would bet any money that someone sort of optioned them and that they're tied up in something else. It's a very closed box.
Question: How was doing the language work in this film that you had to do?
Craig: It was a nightmare for me. I'm just the worst student in the world. I left school at sixteen. I literally cannot conjugate a verb in English. You can't conjugate a verb in English, can you? So, God knows what I know. So that's it. I really did screw up there because I actually don't really know what a verb is. Liev has years of education ahead of me and took to this very well and learned the language a little. I had to do it phonetically, learn it and understand it. I understood what I was saying, but Russian is a tricky language to get far with. It's quite easy to sort of communicate in Russian, but to actually sort of speak the language is hard.
Question: Did Liev make fun of you for it?
Craig: He tried to [laughs].
Question: Do you have to have a mastery of languages to be an actor?
Craig: No. I think that you have to have an ear. I mean, part of acting is sort of mimicry, but I don't like acting as mimicry. I don't think that mimicry is very interesting in acting. I think that you have to have an ear. I've tried to learn languages and I know there's a certain stage that you get to where you have to make that sort of leap of faith and go, 'Okay, I know how to put this accent through my mouth.' It's a really hard process to go through. As an actor you have to try and make that leap because you're trying to communicate and communication is the name of the game. If you're not doing that you're kind of failing.
Question: Is it important for you to do projects other than 'Bond' between the films?
Craig: It's not really the method that I go by. Look, I'm not going to take another part as a British spy who drives nice cars. That's definitely not going to happen, but I'm not closing the door on anything.
Question: What kind of things ideally would you like to do?
Craig: I'm keeping a very open mind about it.
Question: So there's nothing else on the horizon about it?
Craig: Not for the moment. A holiday.
Question: How will you be spending the holidays?
Craig: Happily, hopefully [laughs]. Very quietly.
Question: How shocking was the revelation that the Jews fought back? Have you seen people reacting to that notion?
Craig: Well, I knew about it a little bit. I knew that there was a Jewish resistance, but the only things that I've read about it is that it was wiped out mercilessly. It makes complete sense. Of course they did. The fact that nobody did would've been totally strange, but there were major pockets of resistance everywhere. People did fight. The fact is that there was really nowhere to run. The situation here is that the resistance happened within places like this where there was a forest, where people could get away from them. The local population was in cahoots. Unless you could get on a boat and get out of Europe you were absolutely stuck. This was an incredibly well organized exercise by the Germans. I mean, they did it really efficiently as we all know. I think that our knowledge of the second world war is based on, and so it should be, what the result of The Holocaust was. Those are the images and the knowledge that we have of that period as we should and we should be reminded of it as often as we possibly can.
Question: Why do you think that The Holocaust remains so cinematically timely?
Craig: Well, that's a sort of weird question. I mean, I don't know if it's a question of whether it does. It just should.
Question: It should remain so?
Craig: Yeah. There was an article in 'The New York Times' that said world war two movies have become genre movies and I can't argue with that. Every movie in a sense is a genre movie, but a genre movie suggests that we were cynically sort of going out to make money with this project. That was never the object. This is recent history and especially if you're in places like Lithuania or even if you're in France or parts of France or parts of Germany or parts of Holland – this is recent history. It still has a huge effect on the way that Europe is shaping itself. You only have to look at Bosnia and Croatia and what happened there. What happened in the second world war was used to inflame that situation and it's still there. Those hatreds still lie very, in some places, close to the surface, just below it. The treaties that were put into place after the second world war to stop it from happening again have all been fucking walked over steadily every year since.
Question: Especially in the last eight years.
Craig: I think every year since. I mean, obviously the last eight years haven't helped, but the human rights treaties and the laws about genocide and trying people in the international courts, they tried and haven't succeeded. That's why stories like this have resonance still. But also with this story it's about surviving and how you survive with your humanity intact as opposed to coming out the other end a monster.
Question: Being a father, some of those paternal notions would probably show up in a role like this. Do you imagine when you do something like this protecting your own offspring?
Craig: Well, in that situation I keep my family out of my work. I'd never use them for that reason. I think it's a sort of weird notion. Of course that's your instinct. Your instinct is, 'I would protect this tooth and nail.' But that's the thing, isn't it? That's what was so dreadful about this happening and any other circumstance like this happening in recent times. The notion in this is that family matters more than anything else and that's what keeps you together, but obviously we throw into that this brotherly relationship where the two of them kind of hate each other and the fact is that they can't live with each other. It's more complicated and the more complicated it is hopefully the more interesting it becomes. Of course there's the paternal instinct to sort of look after people, but there's just as strong an instinct to be looked after and it's a reciprocal thing. You help someone and the idea is that they'll help you back. It's all of those things, paternally, brotherly, sisterly.
Question: Culturally we mourned those who were lost during that period. Have we not celebrated those who survived enough?
Craig: I think there's an element of that. I think there's an element to the fact that stories like this represent that. For me this is an allegory for the modern life or parts of the modern life for parts of the modern world. When do we stop fighting? When do actually decided to stop fighting so that we can live and despite the fact that there's this society that Tuvia had to kind of build up with a very authoritarian manner, and had to be because of the circumstances, the decision not to go to war and start living and start living as human beings, when do we actually make that switch and go, 'Can we stop this now and get on with life?' It's a debate because obviously these men fought and they fought for their lives. But they fought to sort of get back to normal. That just rings true with me.
Question: Did you hear any stories about Tuvia's adjustment after all of this?
Craig: He found it very difficult. He went to Israel. I think that he fought in The Six Day War. He was given a commission, I think, and made an officer and didn't really succeed. Then he came to New York with the family and they started a cab firm in New York and forgot about it, left it. But that's a testament to them as much as anything. The fact is that in spite of the horrific things that they went through they managed to live a life of peace afterwards and kind of forgot it and lived a life. It must've been tremendously difficult. I'm sure that he got very little sleep.
Question: Where does your egoless attitude come from?
Craig: Listen, you're absolutely determined to make me egoless. I'm certainly not. I'm a nightmare on set. I just paid them all off. It's just the way that I like to work. You're asking me a question about my ego which is embarrassing to answer. The way that I like to work is with people. If you separate yourself from the work in process then there's no connection. Otherwise why go to work.
Question: What are your hopes for the New Year?
Craig: I can't answer questions like that without it sounding like a stock answer. Obviously I want world peace. What can I tell you? For myself I want health for my family. I want health for my friends. I'd like to continue what I'm doing. It's what everybody wants really.
Question: Do you want to go back to the theater?
Craig: Yes, I'd love to.
Question: Are you looking for something to do?
Craig: I'm not looking for something, as it were. I mean, if something comes along.
Question: Is there a classic role you'd like to do?
Craig: No. Too many lines. Too many words.
Question: Is there something about your level of fame now that you truly enjoy and something you truly despise?
Craig: My privacy is obviously the thing that gets invaded. I weigh it all out.
http://www.darkhorizons.com/interviews/defiance1.php
British heartthrob Daniel Craig may now be known as 007, but he is as accomplished an actor on stage or screen as exists in Britain.
Following on the heels of the critically mixed "Quantum of Solace", Craig returns to the screen in "Defiance", the true story of three Jewish brothers who escape from Nazi-occupied Poland into the Belarussian forest, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and others in danger.
In this interview, Craig talks about the film, its issues, relevance to contemporary audiences and his reaction to the reception of the latest Bond film. He talked to Paul Fischer:
Question: You've played a Mossad agent and now this role. Does that give you some insight into the Jewish experience and are you converting?
Craig: No. No, I'm not. Does it give me an insight into the Jewish experience? I suppose that it does, but religion was not a factor in taking this job. It was just literally one of those situations that I sort of looked at, read it and thought that it was an amazing story.
Question: Was it the story or the character?
Craig: Both. I mean, the character is in just a dreadful, dreadful, dreadful situation. There's no going away from it. God forbid any of us should be put into that situation, but something is asked of him and he's very reluctant to do it and I love the fact that they're sort of saying, 'No, you must do this.' He's going, 'No. Fuck off. I mean, I want to protect my brothers and I want to look after what's left of my family and I want to run away.' And they were saying, 'But you don't have a choice here.' I think that process and obviously we condense it in the film and this is over a three or four year period, we condense the whole thing in the film but it's incredible.
Question: Did you have a period of self-analysis once you saw the story and thought about how you would've handled the situation?
Craig: Completely. I think that hopefully is one of the questions that people ask themselves when they're coming out of the film, but I don't know.
Question: How you would've reacted?
Craig: I mean, it's unimaginable what those people went through. Obviously you'd like to think that you'd do the right thing.
Question: Does physical geography help you define the way you play a character like this, the fact that you working in that environment in the forest in that weather? According to various sources the trailers were a half mile away.
Craig: It was a quarter mile yesterday and it's gotten up to several miles today. It'll be sixteen miles away by the end of the day. We didn't have a trailer. We had a bucket and a tarpaulin and I was happy with it. Yes, of course it does. It has a huge influence on what you're doing and it did have an influence on us, the fact that we all decided that we'd rather not spend time in our trailers, that we'd rather spend the time on set. I think that's key to a lot of what went on there on the set. It was cold. It was miserable. It was wet. It was uncomfortable, but you always have in the back of your mind the idea that you have a bed to go back home to that night and that there is some hot food somewhere within the forest. You're prepared to go looking for it at some point. These people did three winters there and that's just mind blowing.
Question: People have said that they were surprised that such a big movie star like you didn't go back to your trailer. You don't strike me as being a big movie star type person.
Craig: I don't strike you as being a big movie star? Thanks. [laughs] This is going well. I don't spend much time in my trailer anyway even if it's huge and it never is. The last place that I want to be is in a smelly caravan. I mean, I'd rather be on set trying to get some work done.
Question: Did you read the Beilski story and meet their family? What did you do when you met them?
Craig: We did, yes. We sat and we drank and we talked and we had a conversation and we didn't talk much about Tuvia, but we sort of talked about…I just wanted to get a feel for them really. They were just sort of incredibly forward people, really energetic and really full of life and a proper family. They're like families are, sitting there and shouting at each other. Why whisper when you can scream. They're kind of like all families are and they're full of life. I mean, both Liev and I said, 'These guys are kind of scary guys.' They were like, 'Hey! Come on!' I can imagine that that's how their parents were, their father was.
Question: It seems there was more brutality in the real brothers’ experience than was in the movie. Was it out of respect for the family that that wasn't shown?
Craig: It's not at all that, I think. I think we tried to be as straight as possible. The events that take place in the movie happened. They happened in different ways. They happened in different contexts, but they actually kind of all occurred. This film takes over a year to happen roughly speaking and we've condensed a huge amount into that period, but we haven't shied away from anything. It's known and it's fact that they had to survive and in order to survive they had to do bad things. It's documented and it's there.
Question: Tuvia had to do the martial law thing when his leadership was threatened. Can you talk about finding that part of the character, him being very tough on those people?
Craig: He was. Again, it was clear if you read about it that there were power struggles and there were very serious power struggles. You can judge it if you like. One could judge it and ask if it's just because he wanted to remain in power or if he was just trying to keep it together. It's probably a little bit of both. It was just a completely extreme situation, and again, the question that you ask yourself is what would I do. Would I for the greater good of the group take this person out and quell this dissension aggressively and violently or do I leave it alone and allow the whole thing to just sort of disintegrate.
Question: How physically demanding was this film given that you like to do all your own stunts?
Craig: I mean, obviously there aren't the same amount of stunts as in the 'Bond' film, but it was physically demanding because we were literally filming on slopes like this in wet, cold weather all day long. We had a crew of grips that were running around with track and putting them at all sorts of angles. I mean, we were all physically running and up and down these hills day.
Question: You're going after tanks and stuff in the film too though.
Craig: It was lying down, shooting at them. I wasn't really going after them. That was Liev. He did that.
Question: The reaction to this latest 'Bond' film was very different than the reaction to 'Casino Royale'. Did that surprise you?
Craig: No, because 'Casino Royale' was based on a novel and we're always going to have that. When you do a movie like that where the basis of a story is really strong and also the momentum of it, everyone thought that it was going to be shit. So when it wasn't they were all just completely surprised. I think that 'Quantum of Solace' is as good a movie as 'Casino Royale'. I think that the difference is that last time people were surprised by the fact that they enjoyed it. The fact is that we get reviews in newspapers that we'd never had reviews in before. Certainly with the internet we get seven and a half million reviews which are all worth looking at obviously.
Question: The financial success of the film though must suggest that people really respond to you as Bond.
Craig: I don't try to intellectualize that. I do know what we've done is make a movie that the first time I saw it I got a huge kick out of it. Ultimately that's what we're trying to do at the end of the day, putting a movie out that's an entertaining, exciting, hopefully slightly moving 'Bond' movie. That's all our goal ever was. The way that people have taken to it is just amazing.
Question: Do you think that calls for the next one come a little quicker after this opening weekend?
Craig: I haven't heard anything, but then I'm not answering my phone.
Question: What more do you want to do with Bond, what other parts of him would you like to explore?
Craig: Well, I genuinely think we've got a blank page now. We've finished this story off. 'Quantum of Solace' was exactly the right thing to do. We started something with 'Casino Royale' and we wrapped it all up with 'Quantum of Solace'. We're ready to begin again and we can do what we want.
Question: So you think that it'll be a throw back?
Craig: Submarine space and outer space.
Question: Are you still looking at Ian Fleming story elements because that worked so well in 'Casino Royale'?
Craig: Yeah, but there's nothing left. It's all done unless someone finds a dirty manuscript under the couch, we're stuffed.
Question: What about the Gardner books?
Craig: I've never read them. I would bet any money that someone sort of optioned them and that they're tied up in something else. It's a very closed box.
Question: How was doing the language work in this film that you had to do?
Craig: It was a nightmare for me. I'm just the worst student in the world. I left school at sixteen. I literally cannot conjugate a verb in English. You can't conjugate a verb in English, can you? So, God knows what I know. So that's it. I really did screw up there because I actually don't really know what a verb is. Liev has years of education ahead of me and took to this very well and learned the language a little. I had to do it phonetically, learn it and understand it. I understood what I was saying, but Russian is a tricky language to get far with. It's quite easy to sort of communicate in Russian, but to actually sort of speak the language is hard.
Question: Did Liev make fun of you for it?
Craig: He tried to [laughs].
Question: Do you have to have a mastery of languages to be an actor?
Craig: No. I think that you have to have an ear. I mean, part of acting is sort of mimicry, but I don't like acting as mimicry. I don't think that mimicry is very interesting in acting. I think that you have to have an ear. I've tried to learn languages and I know there's a certain stage that you get to where you have to make that sort of leap of faith and go, 'Okay, I know how to put this accent through my mouth.' It's a really hard process to go through. As an actor you have to try and make that leap because you're trying to communicate and communication is the name of the game. If you're not doing that you're kind of failing.
Question: Is it important for you to do projects other than 'Bond' between the films?
Craig: It's not really the method that I go by. Look, I'm not going to take another part as a British spy who drives nice cars. That's definitely not going to happen, but I'm not closing the door on anything.
Question: What kind of things ideally would you like to do?
Craig: I'm keeping a very open mind about it.
Question: So there's nothing else on the horizon about it?
Craig: Not for the moment. A holiday.
Question: How will you be spending the holidays?
Craig: Happily, hopefully [laughs]. Very quietly.
Question: How shocking was the revelation that the Jews fought back? Have you seen people reacting to that notion?
Craig: Well, I knew about it a little bit. I knew that there was a Jewish resistance, but the only things that I've read about it is that it was wiped out mercilessly. It makes complete sense. Of course they did. The fact that nobody did would've been totally strange, but there were major pockets of resistance everywhere. People did fight. The fact is that there was really nowhere to run. The situation here is that the resistance happened within places like this where there was a forest, where people could get away from them. The local population was in cahoots. Unless you could get on a boat and get out of Europe you were absolutely stuck. This was an incredibly well organized exercise by the Germans. I mean, they did it really efficiently as we all know. I think that our knowledge of the second world war is based on, and so it should be, what the result of The Holocaust was. Those are the images and the knowledge that we have of that period as we should and we should be reminded of it as often as we possibly can.
Question: Why do you think that The Holocaust remains so cinematically timely?
Craig: Well, that's a sort of weird question. I mean, I don't know if it's a question of whether it does. It just should.
Question: It should remain so?
Craig: Yeah. There was an article in 'The New York Times' that said world war two movies have become genre movies and I can't argue with that. Every movie in a sense is a genre movie, but a genre movie suggests that we were cynically sort of going out to make money with this project. That was never the object. This is recent history and especially if you're in places like Lithuania or even if you're in France or parts of France or parts of Germany or parts of Holland – this is recent history. It still has a huge effect on the way that Europe is shaping itself. You only have to look at Bosnia and Croatia and what happened there. What happened in the second world war was used to inflame that situation and it's still there. Those hatreds still lie very, in some places, close to the surface, just below it. The treaties that were put into place after the second world war to stop it from happening again have all been fucking walked over steadily every year since.
Question: Especially in the last eight years.
Craig: I think every year since. I mean, obviously the last eight years haven't helped, but the human rights treaties and the laws about genocide and trying people in the international courts, they tried and haven't succeeded. That's why stories like this have resonance still. But also with this story it's about surviving and how you survive with your humanity intact as opposed to coming out the other end a monster.
Question: Being a father, some of those paternal notions would probably show up in a role like this. Do you imagine when you do something like this protecting your own offspring?
Craig: Well, in that situation I keep my family out of my work. I'd never use them for that reason. I think it's a sort of weird notion. Of course that's your instinct. Your instinct is, 'I would protect this tooth and nail.' But that's the thing, isn't it? That's what was so dreadful about this happening and any other circumstance like this happening in recent times. The notion in this is that family matters more than anything else and that's what keeps you together, but obviously we throw into that this brotherly relationship where the two of them kind of hate each other and the fact is that they can't live with each other. It's more complicated and the more complicated it is hopefully the more interesting it becomes. Of course there's the paternal instinct to sort of look after people, but there's just as strong an instinct to be looked after and it's a reciprocal thing. You help someone and the idea is that they'll help you back. It's all of those things, paternally, brotherly, sisterly.
Question: Culturally we mourned those who were lost during that period. Have we not celebrated those who survived enough?
Craig: I think there's an element of that. I think there's an element to the fact that stories like this represent that. For me this is an allegory for the modern life or parts of the modern life for parts of the modern world. When do we stop fighting? When do actually decided to stop fighting so that we can live and despite the fact that there's this society that Tuvia had to kind of build up with a very authoritarian manner, and had to be because of the circumstances, the decision not to go to war and start living and start living as human beings, when do we actually make that switch and go, 'Can we stop this now and get on with life?' It's a debate because obviously these men fought and they fought for their lives. But they fought to sort of get back to normal. That just rings true with me.
Question: Did you hear any stories about Tuvia's adjustment after all of this?
Craig: He found it very difficult. He went to Israel. I think that he fought in The Six Day War. He was given a commission, I think, and made an officer and didn't really succeed. Then he came to New York with the family and they started a cab firm in New York and forgot about it, left it. But that's a testament to them as much as anything. The fact is that in spite of the horrific things that they went through they managed to live a life of peace afterwards and kind of forgot it and lived a life. It must've been tremendously difficult. I'm sure that he got very little sleep.
Question: Where does your egoless attitude come from?
Craig: Listen, you're absolutely determined to make me egoless. I'm certainly not. I'm a nightmare on set. I just paid them all off. It's just the way that I like to work. You're asking me a question about my ego which is embarrassing to answer. The way that I like to work is with people. If you separate yourself from the work in process then there's no connection. Otherwise why go to work.
Question: What are your hopes for the New Year?
Craig: I can't answer questions like that without it sounding like a stock answer. Obviously I want world peace. What can I tell you? For myself I want health for my family. I want health for my friends. I'd like to continue what I'm doing. It's what everybody wants really.
Question: Do you want to go back to the theater?
Craig: Yes, I'd love to.
Question: Are you looking for something to do?
Craig: I'm not looking for something, as it were. I mean, if something comes along.
Question: Is there a classic role you'd like to do?
Craig: No. Too many lines. Too many words.
Question: Is there something about your level of fame now that you truly enjoy and something you truly despise?
Craig: My privacy is obviously the thing that gets invaded. I weigh it all out.
http://www.darkhorizons.com/interviews/defiance1.php
damn
i just watched idiot Tom Cruise with that idiot from the today show here in the states. cant write his name, my blood boils-i just watch him to see him interviewing style with everyone. anyway...he was talking with tom and Valkerie... i want daniel to promote his very IMPORTANT movie more in the states. Valkerie is just as important, but damn it-Tom is such a fake actor it drives me nuts! Defiance is hard core drama with real life woods and real life actors who know how to do it! okay. sorry. done.
Win Defiance premiere tickets
FANCY attending the premiere of Daniel Craig's new film Defiance?
We've got our hands on a pair of money can't buy tickets to the European premiere of Defiance on January 6 in London.
What's more we're throwing in a night's luxury four-star accommodation, a stone's throw away from the West End, plus a fine dining experience to help you survive the excitement!
The lucky winning pair will be put up in the four-star Russell Hotel and treated to a meal in a swanky West End restaurant.
On January 6, DANIEL CRAIG, JAMIE BELL, LIEV SCHREIBER and co will be walking the red carpet to herald the arrival of EDWARD ZWICK'S (Blood Diamond, The Last Samurai) epic true story, Defiance.
Craig, Bell and Schreiber play three Jewish brothers who escape from Nazi-occupied Poland and join Russian resistance fighters, helping to build a village to protect themselves and help others.
Check out the film's official website here. It's full if hidden Defiance content which can be found by exploring the forest.
Visitors are also being briefed on a series of all-action playable missions appearing through December, each of which unlocks extra special prizes when completed. So, you'd be mad not to head over there and start exploring.
Click here for our Terms & Conditions
http://www.thesun.co.uk/sol/homepage/fu ... 020741.ece
FANCY attending the premiere of Daniel Craig's new film Defiance?
We've got our hands on a pair of money can't buy tickets to the European premiere of Defiance on January 6 in London.
What's more we're throwing in a night's luxury four-star accommodation, a stone's throw away from the West End, plus a fine dining experience to help you survive the excitement!
The lucky winning pair will be put up in the four-star Russell Hotel and treated to a meal in a swanky West End restaurant.
On January 6, DANIEL CRAIG, JAMIE BELL, LIEV SCHREIBER and co will be walking the red carpet to herald the arrival of EDWARD ZWICK'S (Blood Diamond, The Last Samurai) epic true story, Defiance.
Craig, Bell and Schreiber play three Jewish brothers who escape from Nazi-occupied Poland and join Russian resistance fighters, helping to build a village to protect themselves and help others.
Check out the film's official website here. It's full if hidden Defiance content which can be found by exploring the forest.
Visitors are also being briefed on a series of all-action playable missions appearing through December, each of which unlocks extra special prizes when completed. So, you'd be mad not to head over there and start exploring.
Click here for our Terms & Conditions
http://www.thesun.co.uk/sol/homepage/fu ... 020741.ece
Re: damn
Guinness wrote:i just watched idiot Tom Cruise with that idiot from the today show here in the states. cant write his name, my blood boils-i just watch him to see him interviewing style with everyone. anyway...he was talking with tom and Valkerie... i want daniel to promote his very IMPORTANT movie more in the states. Valkerie is just as important, but damn it-Tom is such a fake actor it drives me nuts! Defiance is hard core drama with real life woods and real life actors who know how to do it! okay. sorry. done.
I like Matt , and they both behaved , but Tom never heard of this guy before ...they made a tv movie about this in the early 90s with Brad Davis ( from MIDNIGHT EXPRESS ) as the guy . It was pretty good as I recall .
This movie has good actors , I just don't think Tom is one of them . I have liked him in a few things , ths just doesn't seem like a good fit .
